Deuter

New Earth Records offers the definitive, official collection of music by Deuter, the German musician who has pioneered New Age Music for over 40 years, connecting East and West in ways that few other artists ever have. Born in postwar Germany, Deuter taught himself the guitar and just about every instrument he could get his hands on, though it wasn’t until after a near-fatal car crash in his early twenties that he decided to pursue a career in music.

Over the years, Deuter has continued to master a vast array of instruments. Music by Deuter now includes flutes, shakuhachi, guitar, banjo, sitar, santoor, piano, cello, tibetan bells, koto, bouzouki, keyboards, and viola da gamba. He has recorded and released over 60 albums, all the while never ceasing to explore new frequencies and resonances.

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Biography

Born in Falkenhagen, Germany, Deuter (pronounced doy-tur) remembers that “one of the nicer memories I have was the first time I heard someone play the flute. It was like a light coming from the heavens. For one of my birthdays I was given a flute and that was the beginning for me.” He taught himself to play the flute, guitar, harmonica and “just about every instrument I could get my hands on.” Deuter experimented early on with combining acoustic and electronic elements with ethnic instrumentation and nature sounds, such as whale and bird songs, ocean waves, wind in the trees, and more. “I was born in the countryside and my first memories are of nature, of sitting in the woods and enjoying being alive. I started to record the sounds of nature, then mix them together. The next logical step was to play an instrument on top of it. This was the type of music I wanted to hear — relaxing, soothing and harmonious — but I could not find it anywhere, so I started to make this style of music myself.” His first album in 1971, titled D, helped define the emerging genre of music known as new age, and showed the beginning of Deuter’s spiritual path.

During the 1970s and 1980s Deuter, after travelling extensively in Asia in search of spiritual and creative inspiration, settled for a long time in Pune, India, for spiritual study. While there he produced a series of music tapes to be used in “active meditations,” in which he merged Indian classical motifs, fiery drums, loops, synthesizers, bells and pastoral acoustic passages. In 1985 he relocated to Santa Fe, New Mexico where he signed with New Earth Records and furthered his ascension into the top ranks of new age musicians worldwide.

Deuter’s recordings are too many to list here, but include early classics such as Kundalini Meditation Music (1975), Tea from an Empty Cup (1975), Ecstasy (1978), Silence Is the Answer (1981), Cicada (1982) and Nirvana Road (1984) as well as more recent best-sellers including Inside Hypno Relaxation (1994), Terra Magica: Planet of Light (1994), Wind & Mountain (1995), Nada Himalaya Tibetan Bells (1997), Reiki Hands of Light (1998), Like the Wind in the Trees (2002), Koyasan: Reiki Sound Healing (2007), Spiritual Healing (2008), Notes From a Planet (2009), Mystery of Light (2010), Flowers of Silence (2012), Dream Time (2013), Reiki Hands of Love (2015) and Illumination of the Heart (2015).

Deuter creates his music in his home studio hidden deep in the New Mexico forest that he shares with birds, deer, bears, roadrunners, snakes and coyotes. The sound of wind chimes and bees fill the air because Deuter also is a beekeeper. Between studio sessions, he spends his time reshaping his pond or crafting zen-like furniture in his workshop. Deuter describes himself as a hermit/monk/wolf living in the wild and enjoying it, staying close to nature. He designed his house using the principles of Feng Shui. The studio, with its large windows and views of the forest, is both a sanctuary and a laboratory for music-making that includes instruments from all over the world. He continues to learn and master an ever-expanding array of instruments including piano, various keyboards and synthesizers, guitars, shakuhachi flute, cello, koto, sitar, tabla, Turkish sasz, Persian tar, santoor, bazuki, Tibetan singing bowls, chimes, drums, ethnic percussion and more. “For me all the instruments I’m using are basically like colors in a painting,” states Deuter. “I’m not focused on one instrument specifically. I use many sounds and instruments so that it is like painting with sound.”

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